
29 August 2008
22 August 2008
Olympic drumming, new Honk! posters, life in Northampton...
After hearing so much about it, my TV-less self has spent the morning searching for a full video of the Olympics opening ceremony, with its 2,008-member (the ceremony was heavy on numerology) drum battery.
I found a video here:
I found a video here:
Labels:
fou,
Honk,
Northampton,
The Primate Fiasco,
Titubanda
20 August 2008
Hornucopia!

Wow, so Mr. Dave Richoux just posted an alert to the Streetband list (see sidebar) about the HORNUCOPIA festival - a festival of horns and brass - happening in in Bay Area this September. The lineup looks divine -- Frank London's SF Klezmer Brass All-Stars (call me provincial, but I didn't know about his second group of all-stars out west!), Brass Menazeri, Extra Action Marching Band, Brass Liberation Orchestra, Polkacide, the Yard Dogs, and some other groups, for example: Lord Loves a Working Man (hope it's a Steve Martin reference), the Shotgun Wedding Quintet, and the Brass Mafia. More than 35 bands are in the lineup! You west coasters should check it out - and get excited about the marvelous proliferation of the not-so-clandestine street band underground... AND REPORT BACK!
http://www.hornucopiafestival.org
07 August 2008
The New Orleans Diaspora and the People Who Love Them
This project is new to me, but it looks great. In their own words:
The tour will be in the NYC area over the next couple of weeks before heading to the Democratic and Republican National Conventions. They appear to have an email list and could probably use some support.
During the Finding Our Folk tour, high school and college students supported by community elders and grassroots organizations toured America and visited cities where Hurricane Katrina survivors were displaced. The tour partnered with local and national community based organizations and learning institutions, to identify evacuees and the cities where they were, to develop curriculum and provide training for high school and college students to facilitate workshops and support the overall documentation of the tour.They've got the Hot 8 on board, and have been organizing second lines in cities around the US. They've also got a bunch of documentation up on their website.
In each city, we convened survivors and local community residents to share their stories, and to participate in the different tour activities. In selected cities, the day of learning and healing culminated in a large-scale celebration of the people and culture of the Gulf Coast region. These events allowed evacuees to share their journey through art and culture and featured performances by national and local performers, musicians, poets and visual artists, intertwined with speeches by veterans of the civil rights and current resistance movements.
The tour will be in the NYC area over the next couple of weeks before heading to the Democratic and Republican National Conventions. They appear to have an email list and could probably use some support.
06 August 2008
What Becomes a Big Weirdo Brass Band Most?

Ah, West Philly. It's kind of mythical. Back in my days as a capitalism-hatin', pepper spray-dodgin', train-hoppin', would-be abandoned building-squattin' young(ish) punk-ass good-for-nothing misanthrope* it seemed like that neighborhood was always on someone's lips with a kind of reverence now reserved for -- well, no place (maybe Berlin, but omigod Berlin is so last June). It was an overlooked Shangri-la that became sort of conspicuous by dint of its overlooked-ness. I never did move there, like a lot of people said they were going to, but maybe I should've.
The blog Stranded in Stereo has an interview with Gregg Mervine of the West Philadelphia Orchestra up. WPO has been together for something like two years, but seem to have turned up in an inordinate number of out-of-town places in that time (no link for that tidbit -- it's just an impression, not a fact). It's interesting to read the interview and go through a mental checklist of what's the same and what's different from other bands I know. I.e., flexible lineup [check!]; musical backgrounds tending toward Eastern Europe, jazz, and punk [check!]; brass and strings in happy-go-lucky collaboration [huh?]. Yeah. Emperor Norton's and Mucca Pazza manage that balancing act, and more power to 'em, I say. It's not so much a difficult thing to do as a difficult thing to do well.
Anyways, this interview is a good introduction to what WPO does. Which is nice, 'cause I hardly know what they do, having only seen them do one rocking set late on the second night of last year's Golden Festival. Hopefully there'll be more of that down the road.
By the way, WPO has a CD out, which I haven't heard yet so I can't say anything about it, but if you have, don't be shy about using the comments section, eh sparky?
* Whence I evolved into a capitalism-hatin', rent-sweatin', BA-havin', hygiene-neglectin', freelance hermit-livin' fancy pants know-it-all misanthrope.
04 August 2008
Follitarians United Will Never Be Defeated
Here's some old footage from last Folly Day that I was just reminded of recently. It prominently features the Top Secret Attack Band, which you can't actually see because it doesn't actually exist. Please destroy your computer immediately after viewing and report for reeducation at your earliest convenience.
Attack of the Top Secret Attack Band!
Attack of the Top Secret Attack Band!
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