Showing posts with label Rude Mechanical Orchestra. Show all posts
Showing posts with label Rude Mechanical Orchestra. Show all posts

11 September 2008

Unicorns vs. Douchebaggery: Unicorns Win!*

I'm freshly returned to the land of Kotter after spending two weeks riding to the Twin Cities and back in a veggie oil-powered school bus motor home as helper monkey to some 30-odd Rude folks. It's sort of hard to break the whole thing down into a two-dimensional form like this. But a boy can try, can't he?

Hand-crafted magnetic lettering by Turt on the ceiling of the bus.
It originally spelled out "NO MORE WAR," but the N got mangled. And RMO loves cats.

I met the band in Pittsburgh as they were wrapping up some repairs on the lounge area of the bus. The lounge is where the nightly dance parties happen and is lined with the pelts of dead plush toys. It is, of course, available for wedding receptions and bar/bat mitzvahs. The bus itself is capable of transporting up to 342 passengers, each with their own milk crate's-worth of stuff, so small wonder that a concentration of bodies would put an inordinate strain on a few sheets of plywood and some 2x4's. Anyways, they repaired the lounge with no problem and I pretty quickly tested its durability by sleeping on it.

Our bus driver was a really sweet man who, despite his best intentions, seems to be going by the name of Joey Bananafoot these days (yikes!). Though young, Joey has already embarked on his second career as a roller derby referee (his first was as a middle school bus driver, natch) and was graciously taking some time off to chauffeur us halfway across the continent.

From Pittsburgh we moved on to Cleveland where we were greeted by a unicorn and friends bearing food and moist damp, peppermint-scented towels (I kid you not). Unicorn food being the secret to eternal youth, the band was instantly rejuvenated and stomped off to play the local Food Not Bombs support march, followed by a kickball party and a set in the park.

Here I am bouncing on shit in a campground in Wisconsin.
Photo by Phil Not Bombs.


For the next several days it was much the same: hundreds of people on the bus stopping in various Midwestern cities, meeting mythological creatures, and eating very well. Dare I say it was idyllic? I dare. We escorted a class of doe-eyed children to their first day of school in Columbus, stared down a gang in Chicago, and learned that "in Milwaukee, we jump on shit!" Educational. Very educational.

The far end of our pendulum swing was in Minneapolis/St. Paul, where the malignant forces of douchebaggery incarnate were having their quadrennial freak-off. Let me not complete another sentence without first stating the goodwill I feel toward the Twin Cities. They are a source of culture, good ideas, tall bikes and punk rock in a country that is sadly short on all of these things. I would advise anyone reading this to go and spend some time there. That said, the policing in the area was what we common folk describe as batshit crazy. The preemptive searches and detentions, tear gassing of permitted rallies and marches, taser action, and overall climate of fear were not necessarily unexpected, but damn, do we really need that? (No. The answer is no. For the Wingnutteria.)

But at least we're not China.

Luckily, the RMO has secret weapons in the form of delicious snacks and a unicorn-run Llama Homo Spa!
[Make up your own caption. Words escape me.]

Which reminds me: There were llamas along the way too, but somehow I missed them.

We spent four days in Minneapolis with friends who were far more generous than we had a right to expect, after which we closed up shop and headed back east, stopping in Madison, Chicago, and Ann Arbor for food, lodging, hair cuts, and bouncing on shit (definitely not the same thing as jumping on shit, which only really happens in Milwaukee) before a final show in Detroit (which I like to pronounce in its proper Frahnch form so it sounds something like "deh-TWA").

On the last night of tour, we were sadly split in two, as there were parties with things to do the next day and, more importantly, Bananafoot was needed to keep the peace among the wheeled women of the West. So, down to only about 170 people, we made our way back home just in time to get soaked by the fringes of a rare and precious Northeastern tropical storm. In the midst of it, though, a handful of hardy souls were kind of enough to welcome us back with the dulcet (if soggy) tones of Down By the Riverside (adapted for the Gowanus Canal) and A Message To You, Rudy. Suh-weeeeet!

There's more to it, of course. I didn't even get into the bra that was shared by the entire entourage or the night I took a shower with an off-duty bartender and his girlfriend in Minneapolis. Another day, perhaps. Track me down, buy me a beer, and I'll lay one on you.


* Come now. Unicorns always win.

26 June 2008

Atlanta Sedition Orchestra in the Atlanta Journal-Constitutional!













Last year, Becca and Phil from the Rude Mechanical Orchestra departed from our fine island and headed south, like little marching-band Johnny Appleseeds, and started a new band. Now Atlanta can boast not only the Seed and Feed Marching Abominable, but also the svelte and rowdy Atlanta Sedition Orchestra. Along the way, and much to my delight, Becca picked up the sousaphone, and not just any old sousa—it's a double-belled badass sousaphone decked out in flames. B&P are heading back to New York, and the ASO just received a very nice treatment in the Atlanta Journal Constitutional -  


Atlanta Sedition Orchestra marching band mixes politics, punk and parade

By JAMIE GUMBRECHT
The Atlanta Journal-Constitution
Published on: 06/26/08

It started as a parking lot party, more friends than strangers, all drinking beer and enjoying a cool night near the end of May. They were celebrating the opening of the community arts center WonderRoot, touring its fancy new digs and waiting in the breeze for the bands in the basement to turn on the amps.

It didn't take long for the drags of an old familiar tune to blow through the parking lot off Memorial Drive, no amplifier necessary. After that first brass bellow was a tap on a drum, the shuffle of movement, then a full marching band in black-and-purple stripes, ribbons and tassels. It wailed "Saint James Infirmary Blues" and poured from the basement led by a double-belled sousaphone painted like a fire-breathing dragon. Euphonium, trombone, alto sax, tenor sax, bass and snare drums, cymbals, tambourine, a whistle.

Conversations stopped. Rookie audience members raised their eyebrows; regulars at protests and benefits smiled. It took a few songs before they were officially introduced.

But the drums were labeled: ASO.

"Some people were just shocked," says Chris Appleton, a WonderRoot founder. "A marching band?"

Like every gig the Atlanta Sedition Orchestra plays, it wasn't just a party. It was a parade.

The band started in late 2007, rehearsing in living rooms and borrowed spaces with half a dozen musicians. Since then, its membership has grown to 30 or so, and its list of gigs includes a Cabbagetown benefit, feminist talk show on WRFG-FM (89.3), bicycle auction and a fund-raiser for Grannies for Peace.

With traditions borrowed from high school football fields, New Orleans jazz funerals and protests marches, it attracts musicians without a venue and activists without an organization. The sound is unpolished, but soulful and spirited. The band is political like Infernal Noise Brigade, a well-known, now-defunct Seattle marching band that formed to protest 1999 World Trade Organization meetings. But it's all ages, spontaneous, community-oriented, fun and local like the Seed & Feed Marching Abominable from Inman Park.

No musical experience necessary, purple-and-black "uniforms" requested, passion required.

"We all share a kind of joy in taking public spaces," says Rebecca Miriam, 25, a sousaphone player who helped to start the group after she moved to Atlanta in August 2007. "People come to the band because they're on the same page and want to use their talents."

In radical bands and dance teams across the country, those talents range from superior musicianship and composing skills to willingness to pick up a cowbell and make it rock. New York City has its Rude Mechanical Orchestra; Somerville, Mass., the Second Line Social Aid & Pleasure Society Brass Band; Greensboro, N.C., the Caka!ak Thunder; San Francisco Bay area, the Brass Liberation Orchestra.

These motley bands of amateur aficionados and musical newcomers formed around the country for the last decade, sometimes with other groups as inspiration, but just as often without it, says Kevin Leppmann, an organizer for HONK! Festival, an annual gathering of street bands to be held in October in Massachusetts. The surest way to get people behind a cause, he says, is to tell them to bring a tambourine or a horn.

"The whole idea is to have fun reclaiming our public spaces, reclaiming our connections to each other," says Leppmann, a trombone player. "We were surprised as anyone to find that [bands] keeps emerging and producing all over. Something about the present sociopolitical situation leads people to pick up and instrument and make some noise."

Miriam organized Rude Mechanical Orchestra's dance team before she moved to Reynoldstown with her partner, Phil Andrews, 29, a trombone player. His story is typical of the Sedition Orchestra: He loved playing music during high school in Pennsylvania, but didn't like the structure, so he gave up his horn to play in a punk band. When he found the marching band with "a punk rock sensibility" as an adult, his mom mailed his trombone.

The Sedition Orchestra recruits through word-of-mouth and Craigslist. Their ad is simple: "We perform at marches and fundraisers around town in support of local causes ... If you've just started playing, you play every day, or haven't picked up the thing in years, we invite you to come play with us."

Joining gives people a chance to say with a straight face that they play the washboard or the megaphone for the ASO, if not the Atlanta Symphony Orchestra.

The going rate for a performance: free.

Whichever members are available make up the band that day. They play in whatever space is available. That usually means playing as part of the crowd, like in the WonderRoot parking lot, where the band tangled itself in the bikers, drinkers and artists who'd moved outside. The band paused sometimes for a tune, took dramatic sideways steps forward, laid down on the ground and played in the air. Then they'd spring up and dart to another side of their crowded, asphalt stage.

"It's challenging people to move around," says Appleton, the WonderRoot founder. "As soon as people got comfortable and got in their little spot to watch the band, they would move. That was a nice parallel with [Sedition Orchestra's] purpose."

That purpose varies member to member.

• Alessandro Chapman, 20, who borrowed a pair of cymbals so he could be involved: He wants to see the end of capitalism in the United States, and says the band can be a part of it.

• Hiron Roy, 22, a Georgia Tech student and alto sax player: He wants a group that keeps him playing and performing.

• Amy Plasman, 28, a euphonium player of eight months: She wants a different level of political involvement. "I don't usually just go to a march or a protest, but I will go with the band," she says.

Principles and purpose aside, they all agree with the good, old-fashioned idea that everything, from a sporting event to a protest, is more exciting when a marching band shows up.

The repertoire is a bit of a surprise too, ranging from "We Shall Overcome" to Salt-n-Pepa's "Push it."

Miriam and Andrews brought the idea for a band to Atlanta, but they moved back to New York this month. They'll tour with Rude Mechanical Orchestra this summer. Sedition Orchestra members pout about how much the organizers will be missed, but say they're not nervous about what happens next.

They make decisions together, sticking to what might be rules, if this were a rule-making kind of organization: Everyone in the band is an individual, everyone is there because he or she supports the cause (whatever it is that day) and everyone in the band matters.

They democratized quickly, finding others to lead rehearsals and create new pieces for the band. They want more members, a fuller sound, to see some faces from the crowd at rehearsals, a color guard to fly the purple and black.

There's no shortage of rallies and fund-raisers that could use a boost. Their services are in demand.

It's a parade. They just try to keep moving.


15 June 2008

RMO fundraiser 6/27!

A message from the RMO:



CAMP IT UP! with the RUDE MECHANICAL ORCHESTRA

Friday, June 27th at DCTV
87 Lafayette Street, NYC (just south of Canal)
$0-$20 suggested donation - $20 gets you a special gift!
Doors open at 7pm
Wear something CAMP-y!
HELP US GO PROTEST THE RNC! ***

Bike valet! Silent auction! S'mores! Stripes! Khaki shorts! Fun!

Buy a raffle ticket and win your chance to have the RMO perform at a
personal event of your choosing! Yes, we're serious. 1 for $3, 2 for
$5, 10 for $20. Available now until the party. Your event must take
place after our tour and be in one of the five boroughs.

Also featuring:
Veveritse
Inner Princess
Melora auf Rasputina
Frank London
Jennifer Miller of Circus Amok!
DJ Dusty Walker
And, of course, the RMO

*** In August 2008, the Rude Mechanical Orchestra is taking our show
on the road - in a low-impact, environmentally-friendly manner (no
stretch SUV limo for us). We will be converting a school bus to run on
waste veggie oil and traveling cross country for a two-week adventure
-- to cross-pollinate with progressive grassroots organizations and
other amazing movers and shakers, and to loudly register our dissent
at the Republican National Convention. Along our journey, we plan to
raise awareness about and support groups and individuals fighting
against racism, sexism, homophobia, war and violence in all its forms.
So come party with us and help one of the hardest-working bands in
town send our rabble-rousing brassy selves to speak music to power!

29 April 2008

What I Did on My Weekend, by jTuba

Photo by Pirate Jenny

This year's Folly Day wasn't just fun and exciting, it was educational too! Here are a few things I learned:

1.
If you are a brass band and, having just sonically assaulted another brass band, you want to retreat quickly, you should still turn around slowly and carefully before actually running away so as to avoid nasty lip injuries among your brass-playing membership.

2.
The NYPD seems to think that there's something unlawful about more than one person playing music at a time without a permit.

3.
Point 2 is total bullshit; according to the Rules & Regulations of the City of New York Parks & Recreation, section 1-05(d), the sound prohibitions within NYC parks are against (1) "unreasonable noise," (2) use of "sound reproduction devices" (meaning radios & other amplification) without a permit, (3) playing instruments between 10p-8a, and (4) playing music for the purpose of commercial advertisement without a permit.

4.
People in brass bands are reluctant to give themselves up when other bands try to borrow them by force. Should've seen that coming, I suppose.

5.
The wonderful Jessica Lurie sometimes jogs through Prospect Park on Sundays.

It should also be noted that, though aggressively courted, Disaster remained aloof throughout the day: the rain held off, no one was actually summonsed, the
Top Secret Attack Band managed to attack all of the other bands in succession, sending them scurrying away in mortal terror, and, oh yeah, the
RMO got their aforementioned big gay bus (which is not to say that they don't still need some loot). The RMO, by the way, gets props for having the foresight to use a couple of their dancers as "jogger"-spies. You people are too clever for your own good, I tell you.

Emperor Norton's Stationary Marching Band also deserves a special nod just for making it all the freakin' way down here from Boston (well, Somerville, really - which is where the cool's at in the Boston area).

HMB gets its kudos for knowing how to play dumb with the 5-0 and for, can we say, dressing holy-crap fabulously? Dayamn, that man has some wardrobe!

The good people of Grub deserve your respect just for existing. To wit:



Unfortunately, photos are not as plentiful this year as last because some of our favorite
photographers were otherwise preoccupied. We'll have to do this again, maybe.

21 April 2008

Next Sunday, April 27th is FOLLY DAY!





(photos from Folly Day #1 and #2, by Dogseat. See more Folly here.)

NEXT SUNDAY is the 3rd annual Folly Day, now delinked from its bossy sibling, April Fools Day. (After all, April is almost five weeks long this year, requiring twice as much foolishness.) In case you weren't there for the first two years: In 2006, multiple marching bands cavorted in Fort Greene Park with a renegade bridal procession; in 2007, the bands joined up with a human petting zoo at Coney Island and smashed lifesized human piƱatas that gushed forth unnamable joys -

And this year, April 27th, starting at 4pm, some delightfully foolish, itinerant and quasi-stationary bands will be taking an afternoon stroll in a certain Brooklyn park, which seems a fine Prospect for mass-mischievousness.

Not only that, but these wandering minstrels (and YOU) will be courting Disaster, a fine bride for any Fool, and ultimately we will all - together - be tying the proverbial knot.


What Exactly Are We Talking About:

Between 3:30 and 4pm, come find yourself in the North end of Prospect Park.
The Hungry March Band, Rude Mechanical Orchestra, Emperor Norton's Stationary Marching Band, and others will begin rambling at 4pm from three starting points:
*Grand Army Plaza
*3rd Street @ Prospect Park West
*Flatbush Ave. just north of the zoo entrance.
These bands will be on a scavenger hunt for things New, Old, Borrowed, and Blue, and they will also be looking for a Wedding Party - and that means YOU. To join the wedding party/second line of any of these bands, court them with the offering of a wrapped Wedding Present (see Registry below). At approximately 6pm, bands and their Wedding Parties will converge at the Neptune fountain in Grand Army Plaza to doff our garters and collectively tie the knot.


Our Humble Gift-Registry:

*glittering rings, any kind
*cakes or other sweets
*tiny bottles of liquid happiness
*birdseed (instead of rice, because we love the birds)
*tin cans on a string
*flowers (all varieties, but especially marigolds)

All gifts should be somehow WRAPPED and should include a tasteful CARD.


There also will be aliments provided by our lovely friends from GRUB


NO RSVP NECESSARY. We'll see you there.


BUT THERE'S MORE!

The Warm Up:
Sat. April 26th: Emperor Norton's Stationary Marching Band (from Boston!), Veveritse, and Stagger Back Brass Band are playing at Chelsea Market, 75 9th ave. (btwn.15th/16th Sts.) No cover (we'll pass the hat).

11 April 2008

Wherein the Tuba Player Forms Complete Sentences, Lauds Friends



With thanks to Michele for getting this thing started, here I am writing my inaugural post. Go team!

There's a lot of stuff worth writing about in weirdobrassbandland. One project that's been making me really happy lately is the
RMO's collaboration with the Automotive High School in Williamsburg. The project is basically this: RMO does a series of workshops with the school's band in exchange for the school working a biodiesel school bus conversion into their curriculum. The bus, not coincidentally, will have been purchased by the RMO to be used on their 2008 summer tour*. The tour itself (if I'm not mistaken) will involve other community workshop-type things along the way and generally rocking the socks off of people who haven't yet made out with experienced a green and stripey, 30-odd member brass band that redefines the meaning of "forte." It will likely end at the Republican convention in Minneapolis at the start of September.

D-d-d-dayyamn! that's some fine project, if I may say so. They're already deep into the workshop part of it, which is some pretty cool community networking right off the bat. And try saying this sentence out loud to yourself: Sure, we'll work on some music with your band if you don't mind helping us never have to pay for gas again. Bonus that the students are learning stuff on both ends. There's also something fabulously
Tank Girl-ish about dumpstering fuel for the purpose of going halfway across a continent to where a bunch of megalomaniacal yahoos are meeting and attacking with sousaphones and trambones**. I could go on.

Anyways, I think that what we have here is a pretty sweet example of how to take this sub-subculture of ours and work it into the community that surrounds it. And I say again, go team!

---

* Last I heard they were still actually looking for a bus, so if you've got any leads, do cough up. And if you don't, you can still donate
here.

** No, I don't remember a lot of brass in Tank Girl either. Maybe indulge me for a moment.